If you encounter, on your wanders through the Valley, any particularly ornate or captivating iron flourish--roses atop a gate, or a handrail shaped like a peacock--there is a very distinct possibility that Doc Cavalliere, blacksmith-turned-soldier-turned-craftsman, had a hand in it. George R. "Doc" Cavalliere returned from World War II with a skill that would renew the family blacksmith business and add to Scottsdale's flourishing arts and crafts movement: ironworking.
Doc spent his childhood learning the blacksmith trade from his father, shoeing horses, forging tools, and repairing field equipment for surrounding farms and ranches. He also shined shoes at the barber shop, cleaned the spittoon at Johnny Rose's Pool Hall, and worked at Sterling's Western Store (now Saba's Western Store), where he earned the moniker "Doc." When World War II began, he enlisted in the Army Air Corps, became a Technical Sergeant, and served on the European front throughout the war. When he wasn't working, he visited neighboring villages. In Italy, he met a local blacksmith who taught him intricate ironwork, creating roses, flourishes, and other metal wonders.
When Doc was discharged in 1945 he took over the blacksmith shop. As Scottsdale's agricultural roots faded and cars began to replace horses, Doc began marketing his newfound skills at the shop. He quickly became well-known for his metalworks, gaining a reputation among Scottsdale's artists and elites. He did the ironwork for the sprawling McCune Mansion in Paradise Valley, and he provided works for master architect Frank Lloyd Wright and Gunsmoke actress Amanda Blake. Whenever Senator Barry Goldwater came into town, he had a project for Doc. The down-to-earth Scottsdale blacksmith was friend to some of Scottsdale's most illustrious artists and celebrities, but he wasn't the bragging type. You wouldn't find him at glamorous galas because he wasn't the hob-nobbing sort.
Doc was extraordinarily creative, the epitome of a self-made man. His ironwork adorned Scottsdale street signs, inns, and public spaces. He created the iconic western silhouette, based on famous local cowboy Harvey Noriega, that graced the official City of Scottsdale seal. Doc's ironworks, inspired by his deep love for his hometown and for Arizona, exemplify the simple, yet dramatic motifs that contribute to Scottsdale's western image.